Felipe Carrion Penagos, PYRE & SOOT
animatiefilm
Mario Debaene
Robbe Vervaeke
Wannes Gyselinck
Pyre and Soot is an animation where I want to recognise and revisit symbols, signs and patterns of narratives. To propose a space of graphic allegory related to the subconscious, the psyche and the memory.
This project is a personal quest to in-print a graphic diary that uses storytelling to purge my experience.
Let’s approach the concept of subtract, the matter of a pigment (ink, charcoal, graphite…), as a vehicle of communication of those stories. I am the witness and creator of a narrative and the texture, subtract and typography is an evidence of the process.
This will be depicted in an animation/ graphic diary as a self-reflection on how I perceive dependency, anxiety, friendship, loneliness, self-recognition and family. My intention is to build through vignettes and textures a conceptual narration of symbols that follows an emotional track of a mental process. As a printer, I see the texture and the colours as an opportunity for understanding layers as part of a whole.
PYRE & SOOT
Pyre and Soot is an animation where I want to recognise and revisit symbols, signs and patterns of narratives. To propose a space of graphic allegory related to the subconscious, the psyche and the memory.
This project is a personal quest to in-print a graphic diary that uses storytelling to purge my experience.
Let’s approach the concept of subtraction, the matter of a pigment (ink, charcoal, graphite…), as a vehicle of communication of those stories. I am the witness and creator of a narrative and the texture, subtraction and typography is an evidence of the process.
This will be depicted in an animation/ graphic diary as a self-reflection on how I perceive dependency, anxiety, friendship, loneliness, self-recognition and family. My intention is to build through vignettes and textures a conceptual narration of symbols that follows an emotional track of a mental process. As a printer, I see the texture and the colours as an opportunity to understand layers as part of a whole.
“They pulled till I wasn’t able to stand anymore, and they screamed till I wasn’t able to avoid my falling. My tear down.”
Abstract
The possibilities of a narration are built from textures and limited colours of printing.
“Hay fever is a lot like restlessness, it’s not knowing how to stop something that is inherently floating around, pollen. In every nook and in every cranny, breath and skin just burns and itch. The only difference is that this one comes exclusively with flowers”
Abstract