Aïsha Gailliaert, Birds are nice, but like changing addresses
Hans Op de Beeck
In my final master year I drastically reversed my creative process in order to attain a practice that is self-sustaining. I started drawing as a way to get closer to the to the essence of making. Restoring, or even discovering, the act of doing.
By following the shape of my body I found a way to use material, movement and muscle memory to arrive at the challenging simplicity of doing.
By getting rid of the idea of a beginning, a middle and an end my practice can now flow and continue without constrictions that do not coincide with my own experience of time.